"Traditional / Arr. Willcocks: How Far is It to Bethlehem?" by Traditional, Choir of King's College, Cambridge, David Willcocks was released on December 1, 2008. The duration of Traditional / Arr. Willcocks: How Far is It to Bethlehem? is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Traditional / Arr. Willcocks: How Far is It to Bethlehem?'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 51 in Christmas At King's by Choir of King's College, Cambridge. Traditional / Arr. Willcocks: How Far is It to Bethlehem? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Traditional / Arr. Willcocks: How Far is It to Bethlehem? by Traditional, Choir of King's College, Cambridge, David Willcocks is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danny Boy (Londonderry Air) (arr. J. Flummerfelt for choir) | Traditional, Joseph Flummerfelt, Westminster Choir | E♭ Major | 1 | 5B | 86 BPM | ||
Maudit soyt | Heinrich Isaac, Capilla Flamenca, Patrick Denecker | E♭ Major | 1 | 5B | 50 BPM | ||
Sellengers Round (Arr. Barlow) | Traditional, The Broadside Band | D Major | 3 | 10B | 106 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Alleluia, Behold the Bridegroom | St.Petersburg Chamber Choir | G Minor | 2 | 6A | 82 BPM | ||
On Flute I Play my Sad Verses | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 89 BPM | ||
Traditional: La llorona (Arr. Pluhar) | Traditional, Christina Pluhar, L'Arpeggiata, Vincenzo Capezzuto | E Minor | 1 | 9A | 116 BPM | ||
The Legend of the 12 Robbers | St. Petersburg Optina Pustyn Male Choir | B♭ Major | 2 | 6B | 70 BPM | ||
Communion Service in C Major: Kyrie | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | F Major | 0 | 7B | 74 BPM | ||
Hymn of the Cherubim (Excerpt 1) | The Russian State Symphony Cappella | B Major | 2 | 1B | 82 BPM |
Section: 0.5714185237884521
End: 0.5764837265014648