Pablo de Sarasate, Ángel Jesús García made "Danza Española Nº 7" available on October 10, 1992. Danza Española Nº 7 is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Pablo Sarasate: Obras para Violín y Piano". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. In terms of popularity, Danza Española Nº 7 is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Danza Española Nº 7 by Pablo de Sarasate, Ángel Jesús García having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Adieux, Op. 9 | Pablo de Sarasate, Tianwa Yang, Markus Hadulla | B♭ Major | 1 | 6B | 134 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Melodie | Christoph Willibald Gluck, Itzhak Perlman, Samuel Sanders | D Minor | 1 | 7A | 89 BPM | ||
Five pieces for Two Violins and Piano: IV. Waltz- Tempo di Valse. Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | G Minor | 0 | 6A | 140 BPM | ||
Sonata for Violin Solo No. 1 in G Minor, BWV 1001: 4. Presto | Johann Sebastian Bach, Hilary Hahn | G Minor | 3 | 6A | 125 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Concerto for Violin and Orchestra no.2 in D minor op.22: 1. Allegro moderato | Henryk Wieniawski, Gil Shaham, London Symphony Orchestra, Lawrence Foster | F Major | 1 | 7B | 94 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM |
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