"24 Preludes and Fugues, Op. 87: Prelude No. 12 in G-Sharp Minor" by Dmitri Shostakovich, Igor Levit was released on September 10, 2021. With this song being about 5 minutes long, at 4:31, "24 Preludes and Fugues, Op. 87: Prelude No. 12 in G-Sharp Minor" by Dmitri Shostakovich, Igor Levit is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 69 in the song's album "On DSCH". In this album, this song's track order is #23. 24 Preludes and Fugues, Op. 87: Prelude No. 12 in G-Sharp Minor is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With 24 Preludes and Fugues, Op. 87: Prelude No. 12 in G-Sharp Minor by Dmitri Shostakovich, Igor Levit having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): III. Allegretto | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | C Minor | 2 | 5A | 114 BPM | ||
Jazz Suite No.2: 8. Finale | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | F Major | 4 | 7B | 112 BPM | ||
Shostakovich: Piano Quintet in G Minor, Op. 57: I. Prelude (Lento) [Live] | Dmitri Shostakovich, Martha Argerich, Alissa Margulis, Lyda Chen, Mischa Maisky, Renaud Capuçon | F Minor | 3 | 4A | 88 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: Introduction | Igor Stravinsky, Teodor Currentzis, musicAeterna | B Minor | 0 | 10A | 87 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |
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