"Wagner: Tristan und Isolde: Mild und leise - Liebestod" by Birgit Nilsson was released on August 15, 2000. Wagner: Tristan und Isolde: Mild und leise - Liebestod is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 5 out of 7 in Birgit Nilsson by Birgit Nilsson. Wagner: Tristan und Isolde: Mild und leise - Liebestod is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tristan und Isolde: Mild und leise - Liebestod by Birgit Nilsson is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Schweigt doch, ihr Stimmen! - Live | Richard Strauss, Birgit Nilsson, Vienna State Opera Orchestra, Karl Böhm | F Minor | 1 | 4A | 82 BPM | ||
Don Pasquale, Act II Prima Scena: Povero Ernesto! (Ernesto) | Gaetano Donizetti, Gösta Winbergh/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | C Minor | 0 | 5A | 68 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
Don Pasquale, Act III Sesta Scena: Bravo, bravo, Don Pasquale (Malatesta/Norina/Ernesto/Pasquale/Coro) | Gaetano Donizetti, Sesto Bruscantini, Riccardo Muti, Philharmonia Orchestra | B♭ Major | 2 | 6B | 101 BPM | ||
Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | ||
Symphony No. 8, Erster Teil: III. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 4 | 5B | 88 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 2 | 5B | 77 BPM | ||
Die Walküre / Zweiter Aufzug: So wenig achtest du ewige Wonne? | Richard Wagner, Birgit Nilsson, James King, Wiener Philharmoniker, Sir Georg Solti | E Minor | 3 | 9A | 84 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM |
Section: 0.8938791751861572
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