Robert Schumann, Arturo Benedetti Michelangeli's 'Faschingsschwank aus Wien, Op. 26: III. Scherzino' came out on January 1, 1981. The duration of Faschingsschwank aus Wien, Op. 26: III. Scherzino is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Faschingsschwank aus Wien, Op. 26: III. Scherzino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Schumann: Carnaval Op.9; Faschingsschwank aus Wien Op.26". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Faschingsschwank aus Wien, Op. 26: III. Scherzino is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faschingsschwank aus Wien, Op. 26: III. Scherzino by Robert Schumann, Arturo Benedetti Michelangeli having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Engageante: 13ème ordre, 3ème livre | François Couperin, Iddo Bar-Shaï | B Minor | 1 | 10A | 75 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Messiah, HWV 56, Part I: Pastoral Symphony, "Pifa" (arr. L. Stokowski) | George Frideric Handel, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | C Major | 0 | 8B | 92 BPM | ||
Keyboard Sonatina In C Major, Op. 36, No. 3: II. Un Poco Adagio | Muzio Clementi, Balazs Szokolay | G Major | 0 | 9B | 170 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Goldberg Variations, BWV 988: Variation 1 (Arr. for Harp) | Johann Sebastian Bach, Parker Ramsay | C Major | 2 | 8B | 66 BPM | ||
Mendelssohn: 6 Lieder ohne Worte, Book 6, Op. 67: II. Allegro leggiero | Felix Mendelssohn, Leif Ove Andsnes | F♯ Minor | 1 | 11A | 182 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM |
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