Johann Sebastian Bach, Glenn Gould made "Partita No. 3 in A Minor, BWV 827: IV. Sarabande" available on 1957. The duration of Partita No. 3 in A Minor, BWV 827: IV. Sarabande is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Partita No. 3 in A Minor, BWV 827: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 16 out of 90. Partita No. 3 in A Minor, BWV 827: IV. Sarabande is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Partita No. 3 in A Minor, BWV 827: IV. Sarabande by Johann Sebastian Bach, Glenn Gould to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 3 in A Minor, BWV 827: III. Corrente | Johann Sebastian Bach, Glenn Gould | A Minor | 2 | 8A | 116 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso | Ludwig van Beethoven, Glenn Gould | A Major | 1 | 11B | 101 BPM | ||
Fantasie c-Moll BWV 919 | Inge Rosar, Johann Sebastian Bach | A♭ Major | 1 | 4B | 132 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Piano Sonata No. 7 in C Major, K. 309: II. Andante un poco adagio | Wolfgang Amadeus Mozart, Glenn Gould | F Major | 0 | 7B | 78 BPM | ||
Suite No. 1 in A Major, HWV 426: II. Allemande | George Frideric Handel, Glenn Gould | A Major | 1 | 11B | 93 BPM | ||
Bach, JS: Sonata for Two Flutes in G Major, BWV 1039: II. Allegro ma non presto | Johann Sebastian Bach, Emmanuel Pahud, Jonathan Manson, Silvia Careddu, Trevor Pinnock | F♯ Major | 1 | 2B | 141 BPM | ||
Keyboard Sonata in C Major, Kk. 159: Allegro | Domenico Scarlatti, Ivo Pogorelich | C Major | 2 | 8B | 169 BPM | ||
Goldberg Variations, BWV 988: Var. 12, Canone alla quarta | Johann Sebastian Bach, Glenn Gould | G Major | 5 | 9B | 91 BPM |
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