Johann Sebastian Bach, Glenn Gould made "Partita No. 3 in A Minor, BWV 827: IV. Sarabande" available on 1957. The duration of Partita No. 3 in A Minor, BWV 827: IV. Sarabande is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Partita No. 3 in A Minor, BWV 827: IV. Sarabande's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Glenn Gould's "Glenn Gould plays Bach: 6 Partitas BWV 825-830; Chromatic Fantasy BWV 903; Italian Concerto BWV 971; The Art of the Fugue BWV 1080 (excerpts); Preludes, Fugues & Fantasies" album is number 16 out of 90. Partita No. 3 in A Minor, BWV 827: IV. Sarabande is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Partita No. 3 in A Minor, BWV 827: IV. Sarabande by Johann Sebastian Bach, Glenn Gould to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 3 in C Major, BWV 1005 (arr. G. Krivokapic): II. Largo | Goran Krivokapić, Johann Sebastian Bach | C Major | 1 | 8B | 131 BPM | ||
Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM | ||
Sonata in B-flat Major, No. 2: III. Vivace | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | A Major | 2 | 11B | 65 BPM | ||
Piano Sonata No. 2 in A Major, Op. 2 No. 2: IV. Rondo. Grazioso | Ludwig van Beethoven, Glenn Gould | A Major | 1 | 11B | 101 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Sonata in A minor "Württembergische Sonate" No. 1, Wq. 49 No. 1 (H. 30): I. Moderato | Carl Philipp Emanuel Bach, Glenn Gould | A Minor | 2 | 8A | 113 BPM | ||
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.2 in C minor BWV871 | Daniel Barenboim | E♭ Major | 1 | 5B | 92 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 3, Chorale. "Herzliebster Jesu, was hast du verbrochen" (Chorus) | Johann Sebastian Bach, Dresdner Kreuzchor, Thomanerchor Leipzig, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | B Minor | 2 | 10A | 117 BPM | ||
Piano Sonata No. 1 in C Major, K. 279: I. Allegro | Wolfgang Amadeus Mozart, Glenn Gould | C Major | 1 | 8B | 95 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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