Traditional, Feodosy Rubstov, Lege Artis Chamber Choir, Boris Abalyan made "The Besoms (arr. F. Rubstov)" available on April 5, 2011. With The Besoms (arr. F. Rubstov) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Russian Folk Songs in Choir Arrangements". In this album, this song's track order is #17. In terms of popularity, The Besoms (arr. F. Rubstov) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Besoms (arr. F. Rubstov) by Traditional, Feodosy Rubstov, Lege Artis Chamber Choir, Boris Abalyan having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs Of Penitence For Russia | "The Orthodox Singers" Male Choir, Georgiy Smirnov | C Major | 0 | 8B | 111 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Lu Gattu la sonava la zampogna | Lucilla Galeazzi, Traditional, Valentino Paparello, L'Arpeggiata, Christina Pluhar, Marco Beasley | A Minor | 0 | 8A | 133 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Nú hverfur sól í haf | Þorkell Sigurbjörnsson, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A♭ Minor | 1 | 1A | 126 BPM | ||
Traditional: Jácara. "No hay que decirle el primor" | Traditional, Christina Pluhar, L'Arpeggiata, Céline Scheen, Luciana Mancini, Vincenzo Capezzuto | A Minor | 0 | 8A | 71 BPM | ||
Eternal Father, Strong to Save | Huddersfield Choral Society | G Major | 1 | 9B | 108 BPM | ||
O Maria, stella maris | Traditional, Trio Mediæval | F Major | 0 | 7B | 129 BPM | ||
Missa cum iubilo - Gloria | Nova Schola Gregoriana, Alberto Turco | E♭ Major | 1 | 5B | 174 BPM | ||
The Mulberry Garden | John Playford, Baltimore Consort | D Minor | 2 | 7A | 116 BPM |
Section: 0.5049560070037842
End: 0.5102319717407227