"Le cygne blanc" by Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky was released on October 18, 2017. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky's "Le lac des cygnes" album is number 3 out of 17. The popularity of Le cygne blanc is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le cygne blanc by Natalie Dessay, Orchestre de Russie, Dmitry Yablonsky to be Presto (very, very fast) because the track has a tempo of 177 BPM, a half-time of 88BPM, and a double-time of 354 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | ||
Ariadne auf Naxos, Op. 60 / Opera: "Gibt es kein Hinüber?" | Richard Strauss, Deborah Voigt, Ben Heppner, Christiane Hossfeld, Andris Liepa, Eva Kirchner, Natalie Dessay | F Major | 4 | 7B | 104 BPM | ||
L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
Thomas: Hamlet, Act 4: "Et maintenant écoutez ma chanson" (acte IV) Ophélie - extract | Ambroise Thomas, Natalie Dessay, Choeur Les Elements, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 170 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: Voilà! Voilà ce que je dis (Aristee/Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Minor | 1 | 5A | 56 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Edita Gruberova, Claudia Eder, Orchestre National De France, Seiji Ozawa, Choeurs de Radio France | D Major | 1 | 10B | 101 BPM | ||
Ma rendi pur contento | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | A♭ Major | 1 | 4B | 79 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM |
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