Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Tedla, Francesca Cassinari, Andrés Montilla, Luca Cervoni, Gabriele Lombardi's 'Convocamini, congregamini: No. 10, Cum iucunditate' had a release date set for June 21, 2024. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 38 in the song's album "Stradella: Mottetti". In this album, this song's track order is #38. Furthermore, we believe that the track originated from France. In terms of popularity, Convocamini, congregamini: No. 10, Cum iucunditate is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Convocamini, congregamini: No. 10, Cum iucunditate by Rinaldo Alessandrini, Concerto Italiano, Monica Piccinini, Sonia Tedla, Francesca Cassinari, Andrés Montilla, Luca Cervoni, Gabriele Lombardi having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oedipus, Z.583: Music for a While | Henry Purcell, James Bowman, Academy of Ancient Music, Christopher Hogwood | F Major | 2 | 7B | 76 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Magnificat, RV 610a: II. Et exultavit | Antonio Vivaldi, Rinaldo Alessandrini, Concerto Italiano, Sara Mingardo, Roberta Invernizzi, Ferrarini Gianluca | F Major | 2 | 7B | 130 BPM | ||
Pavanne in F-sharp minor | Louis Couperin, Richard Egarr | E Minor | 1 | 9A | 68 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : V. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | B Minor | 1 | 10A | 87 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Sinfonia funebre composta per le essequie della sua donna che si celebrarono in roma in F Minor, DunL 2.2 "Lamento": I. Lamento. Largo | Pietro Locatelli, Concerto Italiano, Rinaldo Alessandrini | E Minor | 0 | 9A | 58 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Violin Sonata in D Minor, Op. 5, No. 12, "La Follia" (arr. for recorder and basso continuo) | Anonymous, Arcangelo Corelli, Michala Petri, Mahan Esfahani | A Minor | 2 | 8A | 137 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM |