On June 28, 2005, the song "Hamlet Op. 32 - 1932 Production - Act IV - Can-can" was released by City Of Birmingham Symphony Orchestra, Sir Mark Elder. With Hamlet Op. 32 - 1932 Production - Act IV - Can-can being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #24. The popularity of Hamlet Op. 32 - 1932 Production - Act IV - Can-can is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Hamlet Op. 32 - 1932 Production - Act IV - Can-can by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale: Adagio lamentoso | Pyotr Ilyich Tchaikovsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Minor | 0 | 10A | 75 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Infirma nostri corporis, virtute firmans perpeti" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | B♭ Major | 1 | 6B | 125 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 84 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation XI. G.R.S. | Edward Elgar, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | D Major | 2 | 10B | 185 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM |
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