"Three Dances in the Old Style, Op. 54: III. Andante - for Violin and Cello" by Lera Auerbach, Delta Piano Trio, Gerard Spronk, Irene Enzlin was released on September 29, 2023. With Three Dances in the Old Style, Op. 54: III. Andante - for Violin and Cello being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lera Auerbach, Delta Piano Trio's "Milking Darkness" album is number 11 out of 15. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Three Dances in the Old Style, Op. 54: III. Andante - for Violin and Cello is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Three Dances in the Old Style, Op. 54: III. Andante - for Violin and Cello by Lera Auerbach, Delta Piano Trio, Gerard Spronk, Irene Enzlin to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
24 Preludes for Violin & Piano: No. 6, — | Lera Auerbach, Avita Duo | F♯ Minor | 1 | 11A | 80 BPM | ||
String Quartet No. 12 in F Major, "American", Op. 96: II. Lento | Antonín Dvořák, Chilingirian Quartet | D Minor | 0 | 7A | 87 BPM | ||
Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Melodie From "Orfeo ed Euridice", Wq. 30 (Arr. Giovanni Sgambati) | Christoph Willibald Gluck, Hélène Grimaud | D Minor | 0 | 7A | 70 BPM | ||
Nacht und Träume, Op. 43 No. 2, D. 827 | Franz Schubert, Harriet Krijgh, Magda Amara | E Major | 1 | 12B | 80 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | ||
Violin Concerto No. 2 - The American Four Seasons: Prologue | Philip Glass, Gidon Kremer, Kremerata Baltica | C Minor | 0 | 5A | 71 BPM |
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