"Te Deum, H. 146: IV. Per te orbem terrarum" by Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie was released on April 27, 1989. The duration of Te Deum, H. 146: IV. Per te orbem terrarum is about 3 minutes long, at 3:22. Based on our data, "Te Deum, H. 146: IV. Per te orbem terrarum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. The popularity of Te Deum, H. 146: IV. Per te orbem terrarum is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: IV. Per te orbem terrarum by Marc-Antoine Charpentier, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré, William Christie is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Euridice, Scena I: Per quel vago boschetto | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Luca Dordolo, Sylva Pozzer, Alessandro Carmignani, Mirko Guadagnini, Alessandro Gargiulo | G Major | 0 | 9B | 101 BPM | ||
Rameau : Hippolyte et Aricie : Act 2 "Pluton commande" [Chorus] | Jean-Philippe Rameau, William Christie, Les Arts Florissants | C Major | 2 | 8B | 161 BPM | ||
St. John Passion, BWV 245: Part II: Chorale: Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 173 BPM | ||
Handel: Orlando, HWV 31, Act 3: Recitativo. "Vieni!" - Concitato. "Già per la man d'Orlando" (Orlando, Angelica) | George Frideric Handel, William Christie, Patricia Bardon, Rosemary Joshua, Les Arts Florissants | B Minor | 0 | 10A | 170 BPM | ||
Stabat Mater: Quis est homo qui non fleret…. Quis non posset | Agostino Steffani, Franco Fagioli, Daniel Behle, I Barocchisti, Diego Fasolis | G Minor | 1 | 6A | 77 BPM | ||
Magnificat en sol mineur, RV 610: III. Et misericordia eius | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 127 BPM | ||
If music be the food of love | Henry Purcell, Alfred Deller, William Christie, Wieland Kuijken | D Major | 1 | 10B | 85 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
Purcell : King Arthur : Act 2 "Hither, this way, this way bend" [Soprano, Chorus] | William Christie | C Minor | 1 | 5A | 182 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, William Christie, Anna Maria Panzarella, Les Arts Florissants | A Major | 1 | 11B | 80 BPM |
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