"Carmina Burana: Omnia sol temperat" by Carl Orff, Orchestre philharmonique de Sofia, Georgi Robev, Choeur national bulgare Svetoslav Obretenov, Choeur d'enfants de la radio nationale bulgare was released on July 13, 2012. The duration of Carmina Burana: Omnia sol temperat is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Carmina Burana: Omnia sol temperat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 25 in Carl Orff: Carmina Burana (Festival international de Sofia 1986) by Carl Orff, Orchestre philharmonique de Sofia, Georgi Robev, Choeur national bulgare Svetoslav Obretenov, Choeur d'enfants de la radio nationale bulgare. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Carmina Burana: Omnia sol temperat's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmina Burana: Omnia sol temperat by Carl Orff, Orchestre philharmonique de Sofia, Georgi Robev, Choeur national bulgare Svetoslav Obretenov, Choeur d'enfants de la radio nationale bulgare is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 9 in E Minor, Op. 95 "From the New World": I. Adagio — Allegro molto | Antonín Dvořák, New York Philharmonic, Alan Gilbert | E Minor | 1 | 9A | 125 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
Wiegenlied beim Mondschein zu singen, Matthias Claudius, für Sprechstimme und drei Marimbaphone (Paralipomena Nr. 33, Carl Orff 1977) | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | C Major | 0 | 8B | 77 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Zwei A Capella-Chöre, Carl Orff 1953 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | C Major | 1 | 8B | 112 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): III. Ecce gratum (Behold the Spring) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | F Major | 1 | 7B | 75 BPM | ||
Sieben Volkstänze: Tanz 1 | Carl Orff, Karl Peinkofer Percussion Ensemble | A Minor | 1 | 8A | 155 BPM | ||
J. Strauss: Radetzky March | Johann Strauss I, Willi Boskovsky, Wiener Johann Strauss Orchester | A Major | 4 | 11B | 112 BPM |
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