"Toccata seconda e ligature per arpa" by Giovanni Maria Trabaci, Bérengère Sardin was released on February 28, 2020. The duration of Toccata seconda e ligature per arpa is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Toccata seconda e ligature per arpa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Exit, Emmanuel Resche-Caserta's "Il Sud: Seicento Violin Music in Southern Italy" album is number 9 out of 22. On top of that, Belgium appears to be the country where this track was created. Toccata seconda e ligature per arpa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Toccata seconda e ligature per arpa by Giovanni Maria Trabaci, Bérengère Sardin to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 5 in G Major, BWV 829: IV. Sarabande | Johann Sebastian Bach, Martin Helmchen | E♭ Minor | 3 | 2A | 176 BPM | ||
Toccatina sopra la ribellione di Ungheria: IV. Sarabande: La sentence | Alessandro Poglietti, Isolde Ahlgrimm | E Minor | 3 | 9A | 67 BPM | ||
O Primavera, gioventu dell'anno | Claudio Monteverdi, 6 Chordae Consort of Viols, John Dornenburg | A Minor | 1 | 8A | 113 BPM | ||
Ons is gheboren een kindekijn, SwWV 315: I. Variation I | Jan Pieterszoon Sweelinck, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Fantasies and Preludes, Giedde I.45: Vivace alla Francese | Johann Joachim Quantz, Dorothee Oberlinger | A Major | 0 | 11B | 79 BPM | ||
Standing Stone | Ed Muirhead | E Minor | 0 | 9A | 80 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Divisions on ''Pudding and Pies or Greensleeves'' | Traditional, John Playford, Barbara Heindlmeier, Ensemble La Ninfea | D♭ Minor | 1 | 12A | 65 BPM | ||
Messa Delli Apostoli: Kyrye II | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM |
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