"Les Eaux célestes: II. La Séparation" by Camille Pépin, Orchestre National De Lyon, Ben Glassberg was released on April 14, 2023. The duration of Les Eaux célestes: II. La Séparation is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Les Eaux célestes: II. La Séparation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Camille Pépin, Orchestre National De Lyon, Ben Glassberg's "Les Eaux célestes" album is number 5 out of 13. On top of that, France appears to be the country where this track was created. Based on our statistics, Les Eaux célestes: II. La Séparation's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Eaux célestes: II. La Séparation by Camille Pépin, Orchestre National De Lyon, Ben Glassberg to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto for Violin, Piano, and String Orchestra with Percussion: I. Misterioso | Tan Dun, Daniel Hope, Alexey Botvinov, New Century Chamber Orchestra | F Minor | 1 | 4A | 72 BPM | ||
1981 from ‘‘Two pieces from the year 1981'' | Lepo Sumera, Joe Hisaishi, ミュージック・フューチャー・バンド | F Major | 2 | 7B | 149 BPM | ||
Blue Silence | Elena Kats-Chernin, Acacia Quartet | B♭ Major | 1 | 6B | 111 BPM | ||
New Life Piano Sonata, Op. 99: II. Pesante | Fazıl Say | B♭ Major | 1 | 6B | 87 BPM | ||
Welltempered Clarinet | Uli Doenitz | G Minor | 0 | 6A | 127 BPM | ||
Dido and Aeneas, Z. 626: Dido's Lament (Arr. L. Stokowski) | Henry Purcell, Charles Rosekrans, Royal Philharmonic Orchestra | D♭ Major | 0 | 3B | 88 BPM | ||
15 Preludes: No. 2. Allegro, ma espressivo e delicato | Nino Rota, Gabriele Baldocci | F Minor | 4 | 4A | 128 BPM | ||
Closing circle | Upside Down Upright Bass | A Major | 1 | 11B | 76 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Concerto pour violon et orchestre: I. Praeludium: Vivacissimo luminoso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Hae-Sun Kang | B Minor | 0 | 10A | 134 BPM |
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