"Gott, sei mir gnädig nach diener Güte: Denn ich erkenne meine Missetat" by Johann Kuhnau, Theatre of Early Music, Schola Cantorum, Daniel Taylor was released on September 9, 2014. With Gott, sei mir gnädig nach diener Güte: Denn ich erkenne meine Missetat being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 17 in the song's album "The Heart's Refuge". In this album, this song's track order is #6. Gott, sei mir gnädig nach diener Güte: Denn ich erkenne meine Missetat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gott, sei mir gnädig nach diener Güte: Denn ich erkenne meine Missetat by Johann Kuhnau, Theatre of Early Music, Schola Cantorum, Daniel Taylor having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concert Royal No. 2 in D: I. Prélude. Gracieusement (Version for 2 Harpsichords and Theorbo) | François Couperin, Pierre Gallon, Matthieu Boutineau, Thibaut Roussel | E♭ Major | 4 | 5B | 125 BPM | ||
Sonata No. 10 in B Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | B Minor | 4 | 10A | 120 BPM | ||
Es steh Gott auf (Chorus) | Johann Kuhnau, Opella Musica, Camerata Lipsiensis, Gregor Meyer | B Major | 2 | 1B | 142 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Sonata IX in Do Magg.: III. Adagio | Michele Mascitti, Matteo Cicchitti, Musica Elegentia | A♭ Minor | 0 | 1A | 84 BPM | ||
Concerto Armonico I: I. Grave | Unico Wilhelm van Wassenaer, Mike Fentross, La Sfera Armoniosa | D♭ Major | 1 | 3B | 95 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
L'art de toucher le clavecin: No. 1, Prelude in C Major | François Couperin, Andrew Appel | A♭ Minor | 3 | 1A | 119 BPM | ||
Chamber Sonata No. 4 in G Minor: IV. Presto | Élisabeth Jacquet de La Guerre, Musica Fiorita | F♯ Minor | 2 | 11A | 121 BPM |
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