George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's ' "Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: I. Larghetto affettuoso - II. Allegro" was released on its scheduled release date, March 22, 2024. This song is about six minutes long, preciously at 5:55, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's "Handel: Concerti Grossi, Op. 6 Nos. 12, 1, 4 & 6" album is number 10 out of 17. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: I. Larghetto affettuoso - II. Allegro is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Concerto grosso No. 4 in A Minor, Op. 6/4, HWV 322: I. Larghetto affettuoso - II. Allegro by George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Violin Concerto in G Major, Op. 3 No. 3, RV 310 (Arr. for Trumpet & Orchestra): II. Largo | Anonymous, Antonio Vivaldi, Guido Segers, Czech Philharmonic Chamber Orchestra, Filip Dvořák, Marek Štilec | E Minor | 1 | 9A | 99 BPM | ||
2e Livre de Sonates à violon seul et basse continue, Sonata X: Largo | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Fantasia No. 1 for Solo Violin in B-Flat Major, TWV 40:14: I. Largo | Georg Philipp Telemann, Alina Ibragimova | B♭ Minor | 2 | 3A | 86 BPM | ||
Sinfonia No. 5 in B-Flat Major, MWV N5: I. Allegro vivace | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | A Minor | 0 | 8A | 65 BPM | ||
Bach Brandenburg Concerto | Belize Ensemble | D♭ Minor | 4 | 12A | 154 BPM | ||
Sonata No. 1 in G Major: III. Andante | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | A Major | 0 | 11B | 86 BPM | ||
Fugue Number 15 | The Piano Girl | B Minor | 4 | 10A | 156 BPM | ||
Concerto for 2 violins in D minor 2nd movement | Hajime Mizoguchi | F Major | 1 | 7B | 95 BPM |