Richard Leveridge, Catherine Bott, Peter Holman, The Parley of Instruments's 'When Daisies Pied and Violets Blue' had a release date set for April 1, 2004. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. When Daisies Pied and Violets Blue's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Orpheus with His Lute: Music for Shakespeare from Purcell to Arne (English Orpheus 50)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United Kingdom. When Daisies Pied and Violets Blue is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With When Daisies Pied and Violets Blue by Richard Leveridge, Catherine Bott, Peter Holman, The Parley of Instruments having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choirs of Eternity | LeoRoads | B Minor | 2 | 10A | 80 BPM | ||
Dashing Away With the Smoothing Iron | Mat Williams | F Minor | 4 | 4A | 119 BPM | ||
The Mass: Qui Tollis | Patrick Cassidy | A Major | 2 | 11B | 85 BPM | ||
Liturgija Sv. Jovana Zlatoustog (Liturgy of St. John Chrysostom) - 7 | Stevan St. Mokranjac, Beogradski Madrigalisti | C Major | 2 | 8B | 78 BPM | ||
Macbeth: Caldron Scene | Richard Leveridge, English Serenata | F Major | 1 | 7B | 103 BPM | ||
To Be American | Millennial Choirs & Orchestras, Brandon Stewart, Brett Stewart, Cory Mendenhall, Cherilyn Worthen | C Major | 2 | 8B | 79 BPM | ||
Daemon Irrepit Callidus | György Orbán, The St. Olaf Choir, Anton Armstrong | A Minor | 1 | 8A | 118 BPM | ||
Da Zi Zai Wang Fo Hymn - Male Chorus | Forshang Buddhism Chorus | D Major | 3 | 10B | 119 BPM | ||
Morning Hymn | Erich Kunzel, Cincinnati Pops Orchestra, May Festival Chorus | E Major | 0 | 12B | 106 BPM | ||
Romanzen und Balladen, Book 1, Op. 67: No. 5. John Anderson | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 100 BPM |