"Danse sacrée et danse profane, L. 103: 2. Danse profane" by Claude Debussy, Vera Badings, Royal Concertgebouw Orchestra, Bernard Haitink was released on January 1, 1986. With this song being about 5 minutes long, at 4:34, "Danse sacrée et danse profane, L. 103: 2. Danse profane" by Claude Debussy, Vera Badings, Royal Concertgebouw Orchestra, Bernard Haitink is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 11 in Bizet: Symphony in C; Jeux d'enfants / Debussy: Danses for Harp by Georges Bizet, Bernard Haitink, Royal Concertgebouw Orchestra, Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Danse sacrée et danse profane, L. 103: 2. Danse profane is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Danse sacrée et danse profane, L. 103: 2. Danse profane by Claude Debussy, Vera Badings, Royal Concertgebouw Orchestra, Bernard Haitink is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Etude No. 2 | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
Consolations, S. 172: No. 3, Lento placido | Franz Liszt, Khatia Buniatishvili | D♭ Major | 0 | 3B | 70 BPM | ||
Schubert: 4 Impromptus, Op. 90, D. 899: No. 3 in G-Flat Major | Franz Schubert, Rudolf Buchbinder | G Major | 0 | 9B | 135 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM |
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