"Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer" by Richard Strauss, Philadelphia Orchestra/Wolfgang Sawallisch, Michael Stairs, Wolfgang Sawallisch, Philadelphia Orchestra had its release date on March 8, 2010. This song appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "R.Strauss: Tone Poems". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Also sprach Zarathustra, Op. 30: VIII. The Dance Song - Song of the Night Wanderer by Richard Strauss, Philadelphia Orchestra/Wolfgang Sawallisch, Michael Stairs, Wolfgang Sawallisch, Philadelphia Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sylvia: Act III: Scene et barcarolle | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 88 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Rigoletto, Act II: "Caro nome" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I | Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov | D Minor | 1 | 7A | 139 BPM | ||
Cinderella, Op. 87: Act I: No. 2. Shawl Dance - Allegretto | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Large Symphony Orchestra | A Major | 2 | 11B | 75 BPM | ||
弦楽のためのセレナード ハ長調 OP.48 第3楽章 エレジー | Pyotr Ilyich Tchaikovsky, Vladimir Fedoseyev, モスクワ放送交響楽団 | D Major | 1 | 10B | 84 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: V. The Song of the Grave | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | F♯ Minor | 1 | 11A | 61 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace | Wilhelm Furtwängler | B♭ Major | 3 | 6B | 104 BPM | ||
Symphony No.2 in C Minor "Resurrection": First Movement: Ausdrucksvoll (English horn & bass clarinet) | Gustav Mahler, Gilbert Kaplan, Ben Rizzi | E♭ Major | 3 | 5B | 96 BPM | ||
Chamber Symphony, Op.110a - orch. Barshai: 2. Allegro molto (attacca:) | Dmitri Shostakovich, Chamber Orchestra of Europe, Rudolf Barshai | G Major | 6 | 9B | 103 BPM |