- BPM
- 131
- Key
- B Minor
- Camelot
- 10A
French Suite No 3 in B BWV 814 - Johann Bach, Classic Hertz Information
- Acousticness
- 40%
- Danceability
- 27%
- Energy
- 57%
- Instrumentalness
- 94%
- Liveness
- 14%
- Loudness
- 76%
- Speechiness
- 5%
- Valence
- 90%
- Popularity
- 5%
- Loudness
- -14.113 dB
Summary
On January 14, 2022, the song "French Suite No 3 in B BWV 814" was released by Johann Bach, Classic Hertz. Since French Suite No 3 in B BWV 814 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 5 in Classical Music Johann Bach (Vol 1) by Johann Bach, Classic Hertz. Based on our statistics, French Suite No 3 in B BWV 814's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
French Suite No 3 in B BWV 814 BPM
The tempo marking of French Suite No 3 in B BWV 814 by Johann Bach, Classic Hertz is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
French Suite No 3 in B BWV 814 Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | |
 | Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | |
 | Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 181 BPM | |
 | Suite No 5 in C Minor for Cello Alone, BWV 1011: III. Courante | Johann Bach, Aldo Parisot | D Major | 0 | 10B | 166 BPM | |
 | Viola Concerto in G Major, TWV 51:G9: Viola Concerto in G Major, TWV 51:G9: III. Andante | Georg Philipp Telemann, Antoine Tamestit, Akademie für Alte Musik Berlin, Bernhard Forck | E♭ Minor | 1 | 2A | 86 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | |
 | Requiem: Requiem: III. Sequenz - Dies irae (Coro) | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Minor | 2 | 5A | 109 BPM | |
 | Déraisonnable beauté: Chaconne | Rinaldo Alessandrini | B Major | 1 | 1B | 124 BPM | |
 | Concerto Saint Marc: III. Andante | Tomaso Albinoni, John Roderick MacDonald, Martin Stephan | G Minor | 0 | 6A | 60 BPM | |
 | Kirchenmusik, Op. 23: II. Ave Maria, MWV B20 | Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | D Major | 1 | 10B | 77 BPM |
- ISRC
- QZTRX2106768
- Label
- L-M Records/RCA Records
Section: 0.626497745513916
End: 0.6309897899627686