"Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1e, Mab! La messagère fluette et légère" by Hector Berlioz, Julien Behr, Spirito, Chœurs et solistes de Lyon-Bernard Tétu, Orchestre National De Lyon, Leonard Slatkin was released on April 12, 2019. The duration of Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1e, Mab! La messagère fluette et légère is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1e, Mab! La messagère fluette et légère's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Berlioz: Roméo et Juliette, Op. 17, H 79 by Hector Berlioz, Orchestre National De Lyon, Leonard Slatkin. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1e, Mab! La messagère fluette et légère is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Roméo et Juliette, Op. 17, H 79, Pt. 1: No. 1e, Mab! La messagère fluette et légère by Hector Berlioz, Julien Behr, Spirito, Chœurs et solistes de Lyon-Bernard Tétu, Orchestre National De Lyon, Leonard Slatkin is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du Sabbat (Larghetto - Allegro - Ronde du Sabbat: Poco meno mosso) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | C Minor | 3 | 5A | 63 BPM | ||
Sylvia: Act I: Les chasseresses (Fanfare) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 83 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Images: No. 2. Iberia: Par les rues et par les chemins - | Claude Debussy, Orchestre National De Lyon, Jun Markl | F Minor | 1 | 4A | 176 BPM | ||
Holberg Suite, Op. 40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 78 BPM | ||
Benvenuto Cellini / Act 1: "Ah! maître drôle, ah! libertin!" - "Emmenons-le" | Hector Berlioz, Christiane Eda-Pierre, Jules Bastin, Robert Massard, Chorus of the Royal Opera House, Covent Garden, BBC Symphony Orchestra, Sir Colin Davis | B♭ Major | 5 | 6B | 74 BPM | ||
Suite pastorale: II. Danse villageoise | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | A Major | 1 | 11B | 126 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM |
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