Robert Schumann, Teresa Carreño, Peter Phillips's 'Fantasie, Op. 17: I. Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo - Welte-Mignon 361' came out on March 12, 2024. Fantasie, Op. 17: I. Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo - Welte-Mignon 361 appears to be safe for all ages as it is not explicit. This song is part of Warum. Heritage Music of Schumann, Dvořák and Tchaikovsky by Carl Reinecke, Robert Schumann, Pyotr Ilyich Tchaikovsky, Antonín Dvořák, Fritz Kreisler. The song's track number on the album is #9 out of 20 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Fantasie, Op. 17: I. Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo - Welte-Mignon 361 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Fantasie, Op. 17: I. Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo - Welte-Mignon 361 by Robert Schumann, Teresa Carreño, Peter Phillips has a tempo of 103 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Fantasie, Op. 17: I. Durchaus Phantastisch Und Leidenschaftlich Vorzutragen - Im Legendenton - Erstes Tempo - Adagio - Im Tempo - Welte-Mignon 361 being at 103 BPM, the half-time would be 52 BPM with a double-time of 206 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Schumann: Davidsbündlertänze, Op. 6, Heft I: No. 2, Innig | Robert Schumann, George Li | F♯ Minor | 0 | 11A | 92 BPM | ||
Prelude in B minor, BWV 855a (Arr. by Alexander Siloti) | Johann Sebastian Bach, Khatia Buniatishvili | B Minor | 0 | 10A | 100 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM | ||
16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM |
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