Silvius Leopold Weiss, Lutz Kirchhof's 'Suite in D Minor: I. Prelude' came out on 1992. With Suite in D Minor: I. Prelude being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Weiss: Lute Works, Vols. I & II by Silvius Leopold Weiss, Lutz Kirchhof. The song's track number on the album is #10 out of 47 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Suite in D Minor: I. Prelude's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Suite in D Minor: I. Prelude by Silvius Leopold Weiss, Lutz Kirchhof has a tempo of 131 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Suite in D Minor: I. Prelude being at 131 BPM, the half-time would be 66 BPM with a double-time of 262 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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The Division Violin: No. 13, Prelude in G Major | Thomas Baltzar, Augusta McKay Lodge | F♯ Major | 1 | 2B | 118 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Cuatro Diferencias Sobre Guárdame las Vacas | Luis de Narváez, José Akel | B♭ Major | 2 | 6B | 102 BPM | ||
Chamber Sonata No. 4 in G Minor: III. Adagio | Élisabeth Jacquet de La Guerre, Musica Fiorita | D Minor | 3 | 7A | 99 BPM | ||
Concert en e mi la: V. Menüet | Francesco Corbetta, Simone Vallerotonda, Bor Zuljan | E♭ Minor | 1 | 2A | 103 BPM | ||
Pieces in D Minor: IV. Contredance La Furstemberg | Henry Purcell, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Sonata in F Major, Op. 2, No. 12, SF 767: IV. Largo | Benedetto Marcello, Dorothee Oberlinger | B♭ Minor | 2 | 3A | 64 BPM | ||
Chansons et danses: Danse | Antonio Ruiz Pipó, Jurgen Rost | D Major | 1 | 10B | 128 BPM | ||
2e livre de viole: Tombeau pour Mr de Sainte-Colombe | Marin Marais, Friederike Heumann, Xavier Diaz-Latorre | E♭ Minor | 0 | 2A | 167 BPM | ||
Prelude a la maniere de Carillon | Adam Falckenhagen, Andrew Maginley | A♭ Minor | 2 | 1A | 92 BPM |
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