"Pohadka (Fairy Tale), Op. 16: IV. Runy kletba a jak byla laskou zrusena" by Josef Suk, Buffalo Philharmonic Orchestra, Joann Falletta was released on March 1, 2011. Since Pohadka (Fairy Tale), Op. 16: IV. Runy kletba a jak byla laskou zrusena is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Suk: Fairy Tale - Fantastic scherzo". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Pohadka (Fairy Tale), Op. 16: IV. Runy kletba a jak byla laskou zrusena is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pohadka (Fairy Tale), Op. 16: IV. Runy kletba a jak byla laskou zrusena by Josef Suk, Buffalo Philharmonic Orchestra, Joann Falletta having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Serenade für Streicher, Op. 6: II. Allegro ma non troppo | Josef Suk, Jaroslav Krcek | F♯ Major | 1 | 2B | 81 BPM | ||
Octet, Op. 20, in E-Flat: Presto | Felix Mendelssohn, Jascha Heifetz, Israel Baker, Arnold Belnick, Joseph Stepansky, William Primrose, Virginia Majewski, Gregor Piatigorsky, Gabor Rejto | B Minor | 2 | 10A | 128 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Walt Whitman, Op. 7 | Gustav Holst, Ulster Orchestra, Joann Falletta | A Major | 1 | 11B | 126 BPM | ||
Moods for Piano, Op. 10: No. 1, Legend | Josef Suk, Karl-Andreas Kolly | A♭ Major | 0 | 4B | 87 BPM | ||
Eine Alpensinfonie: I. Nacht - Sonnenaufgang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 88 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM |
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