Slovak Radio Symphony Orchestra, Peter Breiner made "Kiribati [Teirake Kaini Kiribati (Stand Up, Kiribati), "Stand Up, Gilbertese!…"] - Short" available on February 4, 1998. With Kiribati [Teirake Kaini Kiribati (Stand Up, Kiribati), "Stand Up, Gilbertese!…"] - Short being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 40 in Complete National Anthems Of The World Volume 3: Gabon - Kyrgyzstan by Slovak Radio Symphony Orchestra. Kiribati [Teirake Kaini Kiribati (Stand Up, Kiribati), "Stand Up, Gilbertese!…"] - Short is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Kiribati [Teirake Kaini Kiribati (Stand Up, Kiribati), "Stand Up, Gilbertese!…"] - Short by Slovak Radio Symphony Orchestra, Peter Breiner is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
First Suite of English Folk Dances: No. 3 Dick's Maggot | Ernest Tomlinson, Slovak Radio Symphony Orchestra | B♭ Major | 0 | 6B | 183 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Jazz Suite No. 2: V. Little Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | D Major | 3 | 10B | 79 BPM | ||
The Ghost of Frankenstein (arr. J. Morgan): Main Title | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B♭ Major | 2 | 6B | 64 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Korea, North ["Let Morning Shine On The Silver And Gold Of This Land…"] | Slovak Radio Symphony Orchestra, Peter Breiner | D Major | 3 | 10B | 124 BPM | ||
Giselle: Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 144 BPM |
Section: 0.8569576740264893
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