Anton Paul Stadler, Colin Lawson, Michael Harris, Timothy Lines's 'Five Terzetti for 3 basset horns: No.2 Adagio' had a release date set for January 1, 2002. The duration of This song is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Five Terzetti for 3 basset horns: No.2 Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Colin Lawson, Michael Harris, Timothy Lines's "Mozart & Stadler: Basset Horn Divertimenti" album is number 7 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Five Terzetti for 3 basset horns: No.2 Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Five Terzetti for 3 basset horns: No.2 Adagio by Anton Paul Stadler, Colin Lawson, Michael Harris, Timothy Lines to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Piano Concerto No. 23 in A Major, K. 488: III. Allegro assai - Cadenza by Dejan Lazić | Dejan Lazić, Wolfgang Amadeus Mozart, Bergen Philharmonic Orchestra, Jan Willem de Vriend | A Major | 2 | 11B | 140 BPM | ||
Concerto For Violincello & Orchestra Op.34 B Flat Major: Rondo-Allegro | Philharmonia Slavonica, Alberto Lizzio, Herbert Krepela | B♭ Major | 1 | 6B | 108 BPM | ||
Mozart a 9 anni - Elaborazioni per orchestra d'epoca: 7. Andantino in E Flat Major (1790, K.236, 588b) | Salvatore Sciarrino, Wolfgang Amadeus Mozart, Orchestra di Padova e del Veneto, Marco Angius | E♭ Major | 0 | 5B | 74 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: I. Allegro | Wolfgang Amadeus Mozart, Skye Mcintosh, Australian Haydn Ensemble | D Major | 0 | 10B | 102 BPM | ||
Concerto for Flute and Guitar, Op. 8: III. Allegro | Ferdinando Carulli, Janos Balint, Pal Paulikovics, Budapest Strings | E Minor | 1 | 9A | 110 BPM | ||
Capriccio in B-Flat Major, BWV 992 "On the Departure of His Beloved Brother": V. Aria di postiglione | Johann Sebastian Bach, Angela Hewitt | B♭ Major | 1 | 6B | 96 BPM | ||
Divertimento in B-Flat Major, K.287, Lodron Night Music No. 2: V. Menuetto | Wolfgang Amadeus Mozart, Czech Philharmonic Chamber Orchestra, Vahan Mardirossian | B♭ Major | 0 | 6B | 121 BPM | ||
Alceste (Sung in French): Overture | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Siegmund Nimsgern, Tom Krause, Robert Gambill, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Serge Baudo | C Minor | 0 | 5A | 69 BPM | ||
Wind Quintet No. 3, Op. 88: III. Menuetto - Allegro vivo | Antoine Reicha, Academia Wind Quintet | G Major | 2 | 9B | 102 BPM |