"Orlando di Lasso: Lagrime di San Pietro: Qual a l’incontro" by Lumen Valo was released on 2009. The duration of Orlando di Lasso: Lagrime di San Pietro: Qual a l’incontro is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Orlando di Lasso: Lagrime di San Pietro: Qual a l’incontro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Requiem". In this album, this song's track order is #9. Orlando di Lasso: Lagrime di San Pietro: Qual a l’incontro is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orlando di Lasso: Lagrime di San Pietro: Qual a l’incontro by Lumen Valo having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Maria zart Kyrie I | Jacob Obrecht, Cappella Pratensis, Stratton Bull | E Major | 2 | 12B | 72 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Missa Secunda, Messe für vierstimmigen Chor: Kyrie | Hans Leo Hassler, Alsfelder Vokalensemble Bremen, Wolfgang Helbich | A♭ Major | 2 | 4B | 65 BPM | ||
Tykus tykus | Vaclovas Augustinas, En Kör | C Major | 1 | 8B | 82 BPM | ||
Thus the Ever Grateful Spring (Spring) | Henry Purcell, Sjaella | B♭ Minor | 1 | 3A | 69 BPM | ||
I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
Responsoria pro Hebdomada Sancta, ZWV 55: Caligaverunt oculi mei | Jan Dismas Zelenka, Lumen Valo | D Major | 0 | 10B | 80 BPM | ||
Nunc Dimittis (The Cantata of Simon): "Now O Lord, You Can Leave Your Servant" | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM | ||
De profundis clamavi | Piotr Janczak, Cantores Sancti Nicolai, Justyna Hanusiak | A Major | 1 | 11B | 79 BPM |
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