Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II - Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel Information

Acousticness: 94%
Danceability: 45%
Energy: 15%
Instrumentalness: 68%
Liveness: 29%
Loudness: 68%
Speechiness: 3%
Valence: 63%
Popularity: 5%
Loudness: -19.271 dB

Summary

Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel made "Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II" available on October 12, 2021. The duration of Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II's duration is considered a little bit shorter than the average duration of a typical track. The song is number 420 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II BPM

The tempo marking of Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II by Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Orchestral Suite No.1 In C Major, BWV 1066: 10. Passepied I alternativement - 11. Passepied II Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Kleine Präludien: No.3 in D Minor, BWV 926	Inge Rosar	D Minor	1	7A	83 BPM
Prelude and Fugue in C-Sharp Minor, BWV 849: Prelude	Johann Sebastian Bach, Glenn Gould	E♭ Major	4	5B	113 BPM
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato	Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra	C Major	1	8B	138 BPM
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen	Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs	E♭ Minor	3	2A	77 BPM
Lieder ohne Worte, Op. 19, No. 1	Felix Mendelssohn, Murray Perahia	E Major	0	12B	138 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Major	0	2B	0 BPM
Wir müssen durch viel Trübsal, BWV 146: Sinfonia	Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner	D Major	0	10B	102 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
La Petite Pince-Sans-Rire: 21ème ordre, 4ème livre	François Couperin, Iddo Bar-Shaï	E Minor	0	9A	76 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7647440433502197

End: 0.7686309814453125