Tomaso Albinoni, Berlin Chamber Orchestra, Hans-Werner Watzig, Vittorio Negri, Jeffrey Tate made "Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 3. Allegro" available on January 1, 1999. The duration of Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 3. Allegro is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 3. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 64 in Albinoni: Complete Concertos Op.5 & Op.7 by Tomaso Albinoni, I Musici, Pina Carmirelli, Berlin Chamber Orchestra, Vittorio Negri. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 3. Allegro is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Concerto a 5 in B flat, Op.7, No.3 for Oboe, Strings and Continuo: 3. Allegro by Tomaso Albinoni, Berlin Chamber Orchestra, Hans-Werner Watzig, Vittorio Negri, Jeffrey Tate is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Cassadó: Toccata (in the Style of Frescobaldi) | Gaspar Cassadó, Mstislav Rostropovich, Herbert Tachezi | D Major | 1 | 10B | 91 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM |
Section: 0.7859146595001221
End: 0.7933144569396973