Antonio Vivaldi, Michala Petri, Academy of St. Martin in the Fields, Iona Brown's 'Concerto in G minor, Op.10, No.2, RV 439 " La notte": 2/3. Fantasmi (Presto) - Largo' came out on October 6, 2020. With Concerto in G minor, Op.10, No.2, RV 439 " La notte": 2/3. Fantasmi (Presto) - Largo being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 462 in the song's album "The World of Vivaldi". In this album, this song's track order is #244. In terms of popularity, Concerto in G minor, Op.10, No.2, RV 439 " La notte": 2/3. Fantasmi (Presto) - Largo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in G minor, Op.10, No.2, RV 439 " La notte": 2/3. Fantasmi (Presto) - Largo by Antonio Vivaldi, Michala Petri, Academy of St. Martin in the Fields, Iona Brown having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 23 in A Major, K. 488: 2. Adagio | Wolfgang Amadeus Mozart, Vladimir Horowitz, Orchestra Del Teatro Alla Scala, Milano, Carlo Maria Giulini | F♯ Minor | 0 | 11A | 108 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM | ||
Concerto grosso, Op. 3 (revised), No. 6 in E Minor: IV. Allegro | Francesco Geminiani, Concerto Köln | E♭ Minor | 1 | 2A | 129 BPM | ||
Concerto for 2 Violins in B-Flat Major, RV 528: I. (Allegro) [Reconstructed by F. Ammetto] | Antonio Vivaldi, Angelo Cicillini, Luca Venturi, Orfeo Ensemble, L', Fabrizio Ammetto | C Major | 3 | 8B | 119 BPM | ||
Violin Concerto in A Minor, Op. 3, No. 6, RV 356: I. Allegro (arr. for violin and piano) | Anonymous, Antonio Vivaldi, Takako Nishizaki, Terence Dennis | A Minor | 3 | 8A | 94 BPM | ||
12 Concertos, Op. 3 "L'estro armonico", Concerto No. 10 in B Minor for 4 Violins and Cello (Arr. P. Romero for 4 Guitars): IIb. Larghetto | Antonio Vivaldi, Angel Romero, Celedonio Romero, Celin Romero, Pepe Romero, San Antonio Symphony Orchestra, Victor Alessandro | B Minor | 2 | 10A | 100 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Serenade for Strings in C major, Op. 48: II. Walzer: Moderato, tempo di valse | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | G Major | 1 | 9B | 66 BPM | ||
Rage Over A Lost Penny, Op. 129 | Valentina Lisitsa | G Major | 2 | 9B | 80 BPM |
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