Various Artists's 'Mozart’s Piano Concerto No.21 Andante' came out on January 9, 2013. Mozart’s Piano Concerto No.21 Andante is about six minutes long, preciously at 5:52, making this song fairly long compared to other songs. The song is number 11 out of 12 in Classical Music for Relaxation Vol.1 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Mozart’s Piano Concerto No.21 Andante is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mozart’s Piano Concerto No.21 Andante by Various Artists is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Minuet in G major | Various Artists | B♭ Major | 3 | 6B | 189 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Raymonda, Op. 57: Act III - Variation IV | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D Minor | 0 | 7A | 90 BPM | ||
Drei Walzer für Klavier in C-Sharp Minor, Op. 64, Nr. 2: Walzer Nr. 7 | Sylvia Capova | D♭ Minor | 1 | 12A | 68 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
Maskerade-Suite: I. Waltz | Aram Khachaturian, Moscow Symphony Orchestra, Veronika Dudarova | C Major | 3 | 8B | 98 BPM | ||
Schwanengesang, S. 560: No. 4 Ständchen | Franz Liszt, Vladimir Horowitz | D Major | 0 | 10B | 74 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole. Allegro deciso (Tempo di Marcia) - Allegro vivo e deciso | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Major | 6 | 10B | 93 BPM |
Section: 0.48042893409729004
End: 0.4840974807739258