Pops Salutes The Oscars
Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams
Salute To Hollywood
10:50 January 1, 1989
BPM
136
Key
F Minor
Camelot
4A

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Pops Salutes The Oscars - Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams Information

Acousticness
88%
Danceability
20%
Energy
9%
Instrumentalness
61%
Liveness
7%
Loudness
63%
Speechiness
4%
Valence
7%
Popularity
Loudness
-21.987 dB

Summary

"Pops Salutes The Oscars" by Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams was released on January 1, 1989. Pops Salutes The Oscars appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Salute To Hollywood". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Pops Salutes The Oscars's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Pops Salutes The Oscars BPM

With Pops Salutes The Oscars by Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Pops Salutes The Oscars Key

This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.

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ISRC
NLA508803602
Label
L-M Records/RCA Records

Section: 0.6469697952270508

End: 0.6507225036621094