"Pops Salutes The Oscars" by Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams was released on January 1, 1989. Pops Salutes The Oscars appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Salute To Hollywood". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Pops Salutes The Oscars's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pops Salutes The Oscars by Leigh Harline, Jimmy Van Heusen, Henry Mancini, Burt Bacharach, Marvin Hamlisch, Johnny Mandel, Boston Pops Orchestra, John Williams having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chariots of Fire (Theme) - Instrumental | Vangelis, John Williams, Boston Pops Orchestra | Dâ™ Major | 2 | 3B | 71 BPM | ||
This Way!; Journey to Innisfree & Humble Cottage | Victor Young | G Major | 1 | 9B | 134 BPM | ||
The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
Chicago - Instrumental | Fred Fisher, John Williams, Boston Pops Orchestra | D Major | 4 | 10B | 149 BPM | ||
Suite for Cello and Orchestra (From "Memoirs of a Geisha"): The Chairman's Waltz | Yo-Yo Ma, John Williams, Chicago Symphony Orchestra | E Minor | 1 | 9A | 129 BPM | ||
The Letter | Stephen Warbeck | D Major | 2 | 10B | 82 BPM | ||
West Side Story: Act II: End Credits | Leonard Bernstein, Johnny Green, West Side Story Orchestra | G Major | 2 | 9B | 86 BPM | ||
Under the Umbrella (End Title) - Instrumental | Thomas Newman | G Major | 2 | 9B | 88 BPM | ||
The Meadow / Bambi Sees Faline / Bambi Gets Annoyed - From "Bambi"/Score | Larry Morey, Ed Plumb, Frank Churchill | A Major | 1 | 11B | 80 BPM | ||
A Night On The Bare Mountain | Modest Mussorgsky, Boston Pops Orchestra, John Williams | A Minor | 2 | 8A | 82 BPM |
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