- BPM
- 86
- Key
- G Major
- Camelot
- 9B
West Side Story: Act II: End Credits - Leonard Bernstein, Johnny Green, West Side Story Orchestra Information
- Acousticness
- 84%
- Danceability
- 15%
- Energy
- 22%
- Instrumentalness
- 64%
- Liveness
- 12%
- Loudness
- 78%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 38%
- Loudness
- -13.087 dB
Summary
"West Side Story: Act II: End Credits" by Leonard Bernstein, Johnny Green, West Side Story Orchestra was released on 1961. With this song being about 5 minutes long, at 5:08, "West Side Story: Act II: End Credits" by Leonard Bernstein, Johnny Green, West Side Story Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of West Side Story (Original Motion Picture Soundtrack) by Leonard Bernstein. The song's track number on the album is #19 out of 19 tracks. West Side Story: Act II: End Credits is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
West Side Story: Act II: End Credits BPM
Since West Side Story: Act II: End Credits by Leonard Bernstein, Johnny Green, West Side Story Orchestra has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With West Side Story: Act II: End Credits being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
West Side Story: Act II: End Credits Key
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Over the Rainbow - Alternate Take | Judy Garland | A♭ Major | 0 | 4B | 101 BPM | |
 | Flashback / Finale - Gone With the Wind | Max Steiner | F Major | 5 | 7B | 121 BPM | |
 | Rogers: Oklahoma!: Oklahoma | Richard Rogers, The John Wilson Orchestra/John Wilson, Sierra Boggess, Anna Jane Casey, Julian Ovenden, David Pittsinger, Maida Vale Singers, John Wilson, The John Wilson Orchestra | D Major | 3 | 10B | 140 BPM | |
 | Camelot: March | Frederick Loewe, The Camelot Orchestra, Franz Allers | B♭ Major | 3 | 6B | 129 BPM | |
 | Rich Man's Frug | New Broadway Cast | C Major | 5 | 8B | 120 BPM | |
 | 42nd Street | Wanda Richert, Lee Roy Reams, 42nd Street Ensemble | C Major | 6 | 8B | 87 BPM | |
 | Children in the Park: At the Pool | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | F Major | 1 | 7B | 103 BPM | |
 | Londonderry Air | Percy Grainger, Frederick Fennell, Eastman Rochester Pops Orchestra | E Major | 2 | 12B | 86 BPM | |
 | The Jitterbug - From "Le magicien d'Oz" | Judy Garland, Ray Bolger | G Major | 6 | 9B | 110 BPM | |
 | The Rite of Spring (Scenes of Pagan Russia in Two Parts): Part Two - Summoning of the Ancestors | Igor Stravinsky, Leonard Bernstein, London Symphony Orchestra | G Minor | 0 | 6A | 174 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7281935214996338
End: 0.7326300144195557