Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 93.2 - Wie Google tickt - How Google Works" available on January 8, 2015. The duration of Kapitel 93.2 - Wie Google tickt - How Google Works is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Kapitel 93.2 - Wie Google tickt - How Google Works's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #200 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 93.2 - Wie Google tickt - How Google Works is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 93.2 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 106 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 93.2 - Wie Google tickt - How Google Works being at 106 BPM, the half-time would be 53 BPM with a double-time of 212 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra | A Major | 1 | 11B | 83 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: IVb. Sanctus. Osanna in excelsis | Franz Schubert, Cleveland Orchestra, Franz Welser-Möst, Cleveland Orchestra Chorus | C Minor | 1 | 5A | 84 BPM | ||
Già il sole dal Gange | Alessandro Scarlatti, Holly Bewlay, Sarah Rhee | D Minor | 1 | 7A | 83 BPM | ||
Kapitel 81.2 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | A♭ Major | 2 | 4B | 85 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
The Dream of Gerontius, Op. 38: No. 3, "Kyrie Eleison… Holy Mary, Pray for Him" | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | C Minor | 0 | 5A | 66 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
Eve Maria | Gentle Woman | E Major | 1 | 12B | 88 BPM |
Section: 0.7316422462463379
End: 0.7351882457733154