"8 Slavonic Dances, Op. 72, B. 147: No. 7 in C Major (Allegro vivace)" by Antonín Dvořák, Bavarian Radio Symphony Orchestra, Rafael Kubelík was released on January 1, 1975. The duration of 8 Slavonic Dances, Op. 72, B. 147: No. 7 in C Major (Allegro vivace) is about 3 minutes long, at 3:10. Based on our data, "8 Slavonic Dances, Op. 72, B. 147: No. 7 in C Major (Allegro vivace)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 16 in Dvorák: Slavonic Dances Opp.46 & 72 by Antonín Dvořák, Bavarian Radio Symphony Orchestra, Rafael Kubelík. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 8 Slavonic Dances, Op. 72, B. 147: No. 7 in C Major (Allegro vivace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 8 Slavonic Dances, Op. 72, B. 147: No. 7 in C Major (Allegro vivace) by Antonín Dvořák, Bavarian Radio Symphony Orchestra, Rafael Kubelík is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM |
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