"Symphony No. 5 in C Minor, Op.67: I. Allegro con brio" by Otto Klemperer was released on March 3, 2003. Since Symphony No. 5 in C Minor, Op.67: I. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 8 in Beethoven Symphonies 2 & 5 by Otto Klemperer. Symphony No. 5 in C Minor, Op.67: I. Allegro con brio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 5 in C Minor, Op.67: I. Allegro con brio by Otto Klemperer is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Haydn: Symphony No. 95 in C Minor, Hob. I:95: I. Allegro | Joseph Haydn, New Philharmonia Orchestra, Otto Klemperer | C Major | 2 | 8B | 128 BPM | ||
Overture "Le carnaval romain", Op.9 | Hector Berlioz, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 83 BPM | ||
Symphony No. 2 in C Major, Op. 61: III. Adagio espressivo | Robert Schumann, Jan Willem de Vriend, Stavanger Symphony Orchestra | E♭ Major | 0 | 5B | 74 BPM | ||
Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Haydn: Symphony No. 88 in G Major, Hob. I:88: IV. Finale. Allegro con spirito | Joseph Haydn, Otto Klemperer, New Philharmonia Orchestra | D Major | 2 | 10B | 131 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto | César Franck, Pierre Monteux, Chicago Symphony Orchestra | E♭ Minor | 0 | 2A | 72 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Allegro frenetico: quasi doppio movimento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | E Minor | 1 | 9A | 102 BPM | ||
Variations on a Theme by Haydn, Op.56: Orchestra Setting, Op.56a: 6. Variation 5. Vivace | Wilhelm Furtwängler | B♭ Major | 3 | 6B | 104 BPM | ||
Concerto for 2 Clarinets in E-Flat Major, Op. 35: III. Rondo | Franz Krommer, Kalman Berkes, Kaori Tsutsui, Nicolaus Esterhazy Sinfonia | E♭ Major | 2 | 5B | 146 BPM |
Section: 0.7828078269958496
End: 0.7867403030395508