Aaron Copland, Baltimore Symphony Orchestra, David Zinman's 'Rodeo: IV. Hoe-Down' came out on January 1, 1994. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 14 in Copland: Rodeo/El Salón Mexico/Billy the Kid/Danzón Cubano by Aaron Copland, Baltimore Symphony Orchestra, David Zinman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Rodeo: IV. Hoe-Down's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Rodeo: IV. Hoe-Down by Aaron Copland, Baltimore Symphony Orchestra, David Zinman is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29 No. 2, H 118: 4. Finale (The Dargasson): Allegro | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | E♭ Minor | 1 | 2A | 100 BPM | ||
Polovetsian Dances from Prince Igor: Allegro | Alexander Borodin, George Szell, Cleveland Orchestra | D Major | 2 | 10B | 108 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | E Minor | 1 | 9A | 75 BPM | ||
Cuban Overture | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | G Major | 3 | 9B | 91 BPM | ||
Elgar: 5 Pomp and Circumstance Marches, Op. 39: No. 1 in D Major | Edward Elgar, Yehudi Menuhin, Royal Philharmonic Orchestra | C Minor | 1 | 5A | 98 BPM | ||
Clarinet Concerto: I. Slowly and expressively - | Aaron Copland, David Singer, Far Cry, A | D Minor | 0 | 7A | 67 BPM | ||
La péri - Fanfare | Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine | F♯ Major | 1 | 2B | 71 BPM | ||
Estancia Suite, Op. 8a: IV. Malambo: Allegro - Tempo di malambo | Alberto Ginastera, Simón Bolívar Symphony Orchestra Of Venezuela, Eduardo Mata | B Minor | 2 | 10A | 116 BPM | ||
The Boulevardier | Frederic Curzon, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 98 BPM |
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