"A Midsummer Night's Dream, Op. 61 Incidental Music: No. 11 Dance of the Clowns" by Felix Mendelssohn, Alexander von Pitamic, Southgerman Philharmonic Orchestra was released on January 1, 2009. With A Midsummer Night's Dream, Op. 61 Incidental Music: No. 11 Dance of the Clowns being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Various Artists's "Mendelssohn Incidental Music from Midsummer Nights Dream" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. Based on our statistics, A Midsummer Night's Dream, Op. 61 Incidental Music: No. 11 Dance of the Clowns's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of A Midsummer Night's Dream, Op. 61 Incidental Music: No. 11 Dance of the Clowns by Felix Mendelssohn, Alexander von Pitamic, Southgerman Philharmonic Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: Introduction: "As God the Lord of Israel liveth" | Felix Mendelssohn, Bryn Terfel, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | G Minor | 2 | 6A | 86 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Quartet: Wohlan, alle die ihr durstig seid (Soprano, Alto, Tenor, Bass) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | E♭ Minor | 7 | 2A | 129 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM |
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