Lodovico Grossi da Viadana, Accademia Strumentale Italiana, Alberto Rasi made "Sinfonie musicali à 8, Op. 18: V. La genovese" available on June 27, 1997. The duration of Sinfonie musicali à 8, Op. 18: V. La genovese is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Sinfonie musicali à 8, Op. 18: V. La genovese's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viadana: Sinfonie musicali à 8, Op. 18 by Lodovico Grossi da Viadana, Accademia Strumentale Italiana, Alberto Rasi. The song's track number on the album is #16 out of 18 tracks. Sinfonie musicali à 8, Op. 18: V. La genovese is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Sinfonie musicali à 8, Op. 18: V. La genovese by Lodovico Grossi da Viadana, Accademia Strumentale Italiana, Alberto Rasi has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sinfonie musicali à 8, Op. 18: V. La genovese being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
And There Was War in Heaven | Howard Skempton, The Gesualdo Six, Owain Park | F Major | 1 | 7B | 128 BPM | ||
Opening Psalm (Greek Chant, Harmonized By A. Lvov) | S. Serafimovich, F. Stroganov, Ascention Church Choir (Maloe), Moscow | G Major | 1 | 9B | 78 BPM | ||
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Missa ex B: XII. Et ex Patre natum - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 2 | 6B | 68 BPM | ||
Greatest Day (arr. J. Wikeley for choir) | Jason Orange, Chantage, James Davey | D♭ Major | 1 | 3B | 78 BPM | ||
God Is Our Refuge | Wolfgang Amadeus Mozart | G Minor | 0 | 6A | 76 BPM | ||
Centum sacri concentus ab una voce sola: No. 1, O quam suavis est - Instrumental Version | Lodovico Grossi da Viadana, The Viadana Collective, Maximilien Brisson | E♭ Minor | 2 | 2A | 76 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Stranger | Yuri Alexandrovich Falik, Latvian Radio Choir, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
Psalm 130: Israel hoffet auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 2 | 7A | 88 BPM |
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