"Missa ex B: XII. Et ex Patre natum - Live at Melk Abbey, 5/30/2004" by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl was released on April 19, 2024. With Missa ex B: XII. Et ex Patre natum - Live at Melk Abbey, 5/30/2004 being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 29 in Biber: Missa ex B (Live at Melk Abbey, 5/30/2004) by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Missa ex B: XII. Et ex Patre natum - Live at Melk Abbey, 5/30/2004 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Missa ex B: XII. Et ex Patre natum - Live at Melk Abbey, 5/30/2004 by Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Graduale: Dirigatur, Modo VII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B♭ Minor | 0 | 3A | 82 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Magna Et Mirabilia | Heraldos del Evangelio | G Minor | 2 | 6A | 98 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Alleluja | Sjaella | D Major | 0 | 10B | 66 BPM | ||
Requiem in F Minor, C 8: II. Dies Irae | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 56 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM |
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