"Die Fledermaus, Act II: No. 11, Finale. b. Herr, Chevalier, ich grüsse Sie! – Dialogue" by Johann Strauss II, Waldemar Kmentt, Erika Köth, Hilde Gueden, Eberhard Wächter, Walter Berry, Giuseppe Zampieri, Regina Resnik, Hedwig Schubert, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan had its release date on May 17, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Herbert von Karajan, Josef Strauss, Johann Strauss I's "Karajan A-Z: Johann Strauss - Josef Strauss" album is number 71 out of 77. On top of that, United Kingdom appears to be the country where this track was created. Die Fledermaus, Act II: No. 11, Finale. b. Herr, Chevalier, ich grüsse Sie! – Dialogue is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Fledermaus, Act II: No. 11, Finale. b. Herr, Chevalier, ich grüsse Sie! – Dialogue by Johann Strauss II, Waldemar Kmentt, Erika Köth, Hilde Gueden, Eberhard Wächter, Walter Berry, Giuseppe Zampieri, Regina Resnik, Hedwig Schubert, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Wiener Blut (Viennese Spirit): Grüss dich Gott | Johann Strauss II, Victor Léon, Leo Stein, Yvonne Kenny, Richard Bonynge, Melbourne Symphony Orchestra | D Major | 1 | 10B | 96 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 97 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Jazz Suite No. 2: VI. Waltz 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Minor | 2 | 5A | 108 BPM |