Slovak Chamber Orchestra made "Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie" available on January 2, 2019. The duration of Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 16 in Beloved Bach: Three Suites for Orchestra by Johann Sebastian Bach by Slovak Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Minuet / VII. Badinerie by Slovak Chamber Orchestra is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 25 in G Major (Perger 16): II. Andante sostenuto | Michael Haydn, Slovak Chamber Orchestra, Bohdan Warchal | G Major | 2 | 9B | 99 BPM | ||
Sinfonia No. 4 (arrangement of oratorio sinfonia Morte e sepoltura di Cristo): III. Allegro assai | Antonio Caldara, Slovak Chamber Orchestra, Bohdan Warchal | G Major | 0 | 9B | 122 BPM | ||
Concerto for 2 Lire organizzate in C Major, Hob.VIIh:1: I. Allegro con spirito | Joseph Haydn, Robert Dohn, Lajos Lencsés, Slovak Chamber Orchestra, Bohdan Warchal | C Major | 1 | 8B | 147 BPM | ||
Cavepainter | Slovak Chamber Orchestra | D Major | 1 | 10B | 79 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Oboe Concerto in D Major (cadenza by Lajos Lencses): I. Allegro moderato | Antonio Rosetti, Lajos Lencsés, Slovak Chamber Orchestra, Bohdan Warchal | G Major | 2 | 9B | 99 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
Concerto for Harp and Orchestra in C: 3. Rondo (Allegro agitato) | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | C Minor | 2 | 5A | 95 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM |
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