Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun" - Sergei Prokofiev, Evgeny Akimov, Marianna Tarassova, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev Information

Acousticness: 82%
Danceability: 46%
Energy: 42%
Instrumentalness: 0%
Liveness: 69%
Loudness: 73%
Speechiness: 46%
Valence: 54%
Popularity: 0%
Loudness: -16.291 dB

Summary

Sergei Prokofiev, Evgeny Akimov, Marianna Tarassova, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev made "Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun"" available on 1988. Since Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 47 in the song's album "Prokofiev: Betrothal in a Monastery". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun"'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun" BPM

With Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun" by Sergei Prokofiev, Evgeny Akimov, Marianna Tarassova, Anna Netrebko, Mariinsky Orchestra, Valery Gergiev having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Betrothal in a Monastery / Act 3 Tableau 7: "Here I am, a nun" Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Abdelazar Suite, Z. 570: VI. Air	Henry Purcell, Camerata Nordica, Terje Tonnesen	G Minor	2	6A	131 BPM
Variations On An Original Theme, Op.36 "Enigma": Theme (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	113 BPM
Symphony No. 5 in C Minor, Op. 67: III. Allegro	Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber	A♭ Major	1	4B	82 BPM
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"	Franz Liszt, Daniil Trifonov	D♭ Major	1	3B	76 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King	Edvard Grieg, Esa-Pekka Salonen	B Minor	2	10A	104 BPM
Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio	Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber	C Minor	3	5A	98 BPM
Le roi s'amuse: Passepied	Léo Delibes, Slovak Philharmonic, Ondrej Lenard	A Major	1	11B	88 BPM
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile	Max Bruch, Joshua Bell, Academy of St. Martin in the Fields	E♭ Major	2	5B	60 BPM
Raymonda, Act III: Variation for male dancer	Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland	A♭ Major	0	4B	61 BPM

ISRC: NLA509713435
Label: L-M Records/RCA Records

Section: 0.7792236804962158

End: 0.7841091156005859