"Christe qui lux es IV: Christe, qui lux es et dies" by Robert White, Choir of Clare College, Cambridge, Timothy Brown was released on August 1, 2004. The duration of Christe qui lux es IV: Christe, qui lux es et dies is about 3 minutes long, at 3:22. Based on our data, "Christe qui lux es IV: Christe, qui lux es et dies" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Choir of Clare College, Cambridge, Timothy Brown's "Light of the Spirit" album is number 11 out of 36. In terms of popularity, Christe qui lux es IV: Christe, qui lux es et dies is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christe qui lux es IV: Christe, qui lux es et dies by Robert White, Choir of Clare College, Cambridge, Timothy Brown to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
Cornysh (The Younger): Ah, Robin - 3. I cannot think | William Cornysh (The Younger), Peter Phillips, The Tallis Scholars | F♯ Minor | 0 | 11A | 105 BPM | ||
O Lord, Grant the King a Long Life | Thomas Weelkes, The Choir Of Westminster Abbey, The Choir of His Majesty's Chapel Royal, St James's Palace, Choristers from Truro Cathedral Choir, Choristers from Chapel Choir of Methodist College Belfast, Octet from the Monteverdi Choir, Andrew Nethsingha | E♭ Major | 1 | 5B | 85 BPM | ||
Keep Me as the Apple of an Eye | Neil Cox, The Gesualdo Six, Owain Park | B♭ Major | 1 | 6B | 81 BPM | ||
Lille Almanak – Little Almanac 3 | Finn Mathiassen, Harald Herdal, Jens Peter Jacobsen, Musikstuderendes Kammerkor | G Minor | 0 | 6A | 75 BPM | ||
Viva Vida | Robert White | E♭ Minor | 1 | 2A | 135 BPM | ||
Armide, LWV 71, Act II Scene 4: Ah ! Quelle erreur ! (une Naïade, Chœur) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Anouk Defontenay, Chœur de l'Opéra de Dijon | F Major | 1 | 7B | 139 BPM | ||
Giunto a la tomba | Giaches de Wert, La Venexiana, Claudio Cavina | B♭ Minor | 1 | 3A | 115 BPM | ||
All'imperio d'Amore: 6. La dipartita e amara a 4 | Luca Marenzio, Ensemble Pygmalion, Safir Behloul, Renaud Brès, Raphael Pichon, Zachary Wilder, Davy Cornillot, Lucile Richardot, Maïlys De Villoutreys | G Minor | 2 | 6A | 109 BPM | ||
Missa Veni Domine: Ia. Kyrie I | Filipe de Magalhães, Cupertinos, Luís Toscano | B Minor | 1 | 10A | 79 BPM |
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