Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev's 'The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3d. Pas de six: Variation II (Coulante)' came out on September 26, 2022. With The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3d. Pas de six: Variation II (Coulante) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 40 out of 373 in A Dose of Tchaikovsky by Pyotr Ilyich Tchaikovsky. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3d. Pas de six: Variation II (Coulante)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Sleeping Beauty, Op. 66, TH.13 / Prologue: 3d. Pas de six: Variation II (Coulante) by Pyotr Ilyich Tchaikovsky, Russian National Orchestra, Mikhail Pletnev is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Les saisons (The Seasons), Op. 37b: XI. November: Troika | Ilya Rachkovsky | E Major | 0 | 12B | 74 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto | Antonio Vivaldi, Kyung Wha Chung, St. Luke's Chamber Ensemble | G Minor | 5 | 6A | 149 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: 2. Adagio sostenuto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | E Major | 1 | 12B | 141 BPM | ||
Waltz No. 19 in A minor, Op. posth. | Frédéric Chopin, Peter Jablonski | A Minor | 0 | 8A | 69 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM |
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