Wolfgang Amadeus Mozart, Montserrat Caballé, Janet Baker, Wladimiro Ganzarolli, Nicolai Gedda, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis's 'Così fan tutte / Act 2: "La mano a me date" - "Oh che bella giornata!"' came out on January 1, 1974. With this song being about 5 minutes long, at 5:09, "Così fan tutte / Act 2: "La mano a me date" - "Oh che bella giornata!"" by Wolfgang Amadeus Mozart, Montserrat Caballé, Janet Baker, Wladimiro Ganzarolli, Nicolai Gedda, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Montserrat Caballé, Dame Janet Baker, Nicolai Gedda, Wladimiro Ganzarolli, Sir Colin Davis's "Mozart: Così Fan Tutte (Complete Mozart Edition)" album is number 11 out of 49. On top of that, Netherlands appears to be the country where this track was created. In terms of popularity, Così fan tutte / Act 2: "La mano a me date" - "Oh che bella giornata!" is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte / Act 2: "La mano a me date" - "Oh che bella giornata!" by Wolfgang Amadeus Mozart, Montserrat Caballé, Janet Baker, Wladimiro Ganzarolli, Nicolai Gedda, Ileana Cotrubas, Richard van Allan, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requiem In D Minor, K. 626: Sequence: III. Rex Tremendae Majestatis | Slovak Philharmonic, Magdaléna Hajóssyová, Jozef Kundlák, Slovak Philharmonic Chorus, Peter Mikulas, Jaroslava Horska, Stefan Klimo, Vladimir Ruso, Wolfgang Amadeus Mozart | G Minor | 1 | 6A | 82 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
Chopin: Waltz No. 11 in G-Flat Major, Op. Posth. 70 No. 1 | Frédéric Chopin, Cyprien Katsaris | F♯ Major | 1 | 2B | 83 BPM | ||
Hungarian Dance No. 5 in G Minor, WoO 1, No. 5 | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F♯ Minor | 1 | 11A | 107 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, David Zinman | C Minor | 0 | 5A | 173 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM |
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