- BPM
- 117
- Key
- D♭ Minor
- Camelot
- 12A
Semiramis, Wq. Anh. C/1: 1. Andante - Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations Information
- Acousticness
- 95%
- Danceability
- 20%
- Energy
- 1%
- Instrumentalness
- 91%
- Liveness
- 18%
- Loudness
- 53%
- Speechiness
- 4%
- Valence
- 17%
- Popularity
- 9%
- Loudness
- -28.325 dB
Summary
"Semiramis, Wq. Anh. C/1: 1. Andante" by Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations was released on June 10, 2022. The duration of Semiramis, Wq. Anh. C/1: 1. Andante is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Semiramis, Wq. Anh. C/1: 1. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations's "Gluck: Don Juan - Semiramis" album is number 34 out of 49. On top of that, Switzerland appears to be the country where this track was created. In terms of popularity, Semiramis, Wq. Anh. C/1: 1. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Semiramis, Wq. Anh. C/1: 1. Andante BPM
We consider the tempo marking of Semiramis, Wq. Anh. C/1: 1. Andante by Christoph Willibald Gluck, Jordi Savall, Le Concert Des Nations to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
Semiramis, Wq. Anh. C/1: 1. Andante Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 3 Pieces for cello and piano: No. 1. Modere | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | E♭ Minor | 0 | 2A | 87 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 0 | 12B | 112 BPM | |
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Yuja Wang, Tonhalle Orchester Zürich, Lionel Bringuier | D♭ Minor | 0 | 12A | 85 BPM | |
 | Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | |
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | |
 | Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | |
 | Oboe Concerto in F Major, Op. 7, No. 9: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 1 | 7B | 164 BPM | |
 | Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM |
- ISRC
- CH4212200034
- Label
- L-M Records/RCA Records
Section: 0.7058556079864502
End: 0.7090396881103516