"An Upper Room" by Timothy Newton, The Choir of Trinity College, Melbourne, Michael Leighton Jones was released on November 9, 2012. The duration of An Upper Room is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. An Upper Room's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "An Upper Room" is a single. An Upper Room is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of An Upper Room by Timothy Newton, The Choir of Trinity College, Melbourne, Michael Leighton Jones is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Let All Mortal Flesh | The Chamber Choir of St. Tikhon's Monastery, Benedict Sheehan | A Minor | 1 | 8A | 175 BPM | ||
O Praise the Lord! Give Praise to God (Book Five Doxology) [Psalm 150b] | Crown & Covenant | A Major | 2 | 11B | 84 BPM | ||
All Things Bright and Beautiful | Cantillation, David Drury, David Russell | A Major | 1 | 11B | 120 BPM | ||
Wem In Leidenstagen "Glory Be to Jesus" | Friedrich Filitz, York Minster Choir, John Scott Whiteley, Philip Moore | G Major | 1 | 9B | 105 BPM | ||
Holy God, We Praise Thy Name | The Schola Cantorum of St. Peter's in the Loop | F Major | 2 | 7B | 83 BPM | ||
Come Down, O Love Divine (Arr. Michael Leighton Jones) | Ralph Vaughan Williams, Michael Leighton Jones, Richard Frederick Littledale, The Choir of Trinity College, Melbourne, Jonathan Bradley | D Major | 2 | 10B | 84 BPM | ||
Five Irish Folk Songs: I. Down by the Salley Gardens | Michael Leighton Jones, The Choir of Trinity College, Melbourne, Christopher Watson, Marjorie Butcher | E♭ Major | 0 | 5B | 89 BPM | ||
Liturgy of St. John Chrysostom: No. 6, O Come, Let Us Worship | Benedict Sheehan, The Saint Tikhon Choir, Jason Thoms | A Major | 1 | 11B | 76 BPM | ||
Come Sleep | Daniel Brinsmead, The Choir of Trinity College, Melbourne, Christopher Watson | C Major | 0 | 8B | 69 BPM | ||
There's a Wideness in God's Mercy | John Stainer, Belfast Cathedral Choir, Ian Barber, Philip Stopford | G Major | 2 | 9B | 76 BPM |
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