"Sinfonia concertante, "Symphony No. 4": I. Molto cantabile -" by Andrzej Panufnik, Łukasz Długosz, Anna Sikorzak-Olek, Polish Radio Symphony Orchestra, Łukasz Borowicz was released on July 1, 2014. Sinfonia concertante, "Symphony No. 4": I. Molto cantabile - appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Panufnik: Symphonic Works, Vol. 2". In this album, this song's track order is #6. In terms of popularity, Sinfonia concertante, "Symphony No. 4": I. Molto cantabile - is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sinfonia concertante, "Symphony No. 4": I. Molto cantabile - by Andrzej Panufnik, Łukasz Długosz, Anna Sikorzak-Olek, Polish Radio Symphony Orchestra, Łukasz Borowicz having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Illusion, Op. 1, No. 2 | Selim Palmgren, Camerata Finlandia, Jorma Panula | E Minor | 0 | 9A | 172 BPM | ||
Etudes: IV. Adagio | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | F Minor | 0 | 4A | 145 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Shaker Loops: II. Hymning Slews | John Adams, Oxalys | A Major | 0 | 11B | 61 BPM | ||
Hassan, DCW 8, Act 5 Scene 2: Prelude to the last scene. With flowing movement | Frederick Delius, Britten Sinfonia Voices, Britten Sinfonia, Jamie Phillips | C Major | 0 | 8B | 84 BPM | ||
Piano Hush | Sonic Piano Music | F Minor | 0 | 4A | 71 BPM | ||
Lunacy Talked Me out of It | Alberto Moggi, Jacopo Polimeno, Giuseppe Brittanni, Brendon Steel, Royal Philarmonic Cunes | E♭ Minor | 1 | 2A | 100 BPM | ||
Orchestral Variations - 'The Seeds Long Hidden': Variation 5 | Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins | B♭ Minor | 1 | 3A | 73 BPM | ||
Oboe Concerto in D Major, TrV 292: II. Andante | Richard Strauss, Copenhagen Philharmonic Orchestra, Toshiyuki Kamioka | B♭ Major | 0 | 6B | 68 BPM | ||
Coastal Command Suite: The Hebrides | RTE Concert Orchestra, Ralph Vaughan Williams | D Minor | 0 | 7A | 65 BPM |
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